Springtime in Reykjavik, with pretty blooms and hints of blue skies, is finally here after our long winter of discontent.
New life is pulsing, quickening, in the warming earth and in our hearts. Elections have brought hope to many that our little island nation will survive our recent disgrace and grow again, if ever so humbly. We can't escape our pasts but are forced instead to review missteps, misdeeds, selfish living and a collective disconnect from the land we live on. But Nature, in her wisdom, always grants a new spring, a new chance to plant and nurture, sow and reap. The lessons never go away. They are revisited on us until we get them right, until we learn to cherish, selflessly, all that truly matters in our lives. What we run from comes back to us in ways we never imagined, offering new chances to bloom, and to grow.
The play, Pósteria, was written, designed and directed by Eva, who also acted the role of a sweetly ignorant, hopeful, frustrated, underpaid and disturbingly gullible post office worker (seen here at the beginning/end of the play reading a Cosmo quiz for her coworkers.) It was a painfully truthful, quirky and very funny look at the modern day feminist dilemma, full of awkward and loaded silences interspersed with roars of energized rebellion against the roles women adapt to and, often all too willingly, adopt. Cyclical, contained, explosive, sentimental, ironic and shyly childish, the play is like growing up, coming of age, becoming an adult in a world we don't quite understand, even if any number of subtle (and not so subtle) clues are left here and there to form and guide us. It asks What if I don't get it? What if I don't want to take part? How does this secret happiness thing work? What do you want me to do!? and leaves us with enough thoughtful detail to help us form our own, very personal answers.
Congratulations, Eva. Wonderful stuff!