Theater

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Þjóðleikhúsið, or the National Theater of Iceland, is quite a beautiful building, and it's always a pleasure going to see shows there. My wonderful mother Ásthildur gave Valentína and I tickets to go see Les Misérable there a few weeks ago and yes I cried at the end (and somewhere in the middle too, maybe?) It was an almost full house for a show that's been running since the beginning of March and has dates set at least through June. This shot is of the main stage just before the second act, when patrons were just beginning to meander back in.

It can be a bit weird attempting to suspend disbelief when watching the same people you bump into at Bónus (as well as at your kids' schools, the gas station, the pub, children's birthday parties...basically everywhere) pour their hearts out in character on stage (and there is a lot of dramatic pouring out of hearts in Icelandic theater!) but I guess it is a bit cosy as well.

This is not an easy musical to sing, so I actually found myself feeling proud of our talented and dedicated locals who obviously pushed themselves to new heights to bring this classic to the Icelandic stage. This talent of course includes not only actors, but set, lighting and sound designers as well!

I had no idea that there was a thing called the Theater Museum of Iceland, but maybe it's because they have no permanent exhibition space as is. Their web site, though, is rich in local theater history (that's actually what I wrote my BA in Theater Arts thesis on while at UCSC, where my lovely niece Mekkin Roff is now studying, and actually performing/teching in their annual Chautauqua Festival :)

If you are into the arts and get a chance to see a production, especially one where the language barrier won't affect you so much (a musical, opera or play you've seen/read in English) I recommend going in for an evening's experience - for such a small country, Icelanders almost always succeed in producing theater on an international scale.

Have you tried Dynamic Viewing yet? Five new views in all. Use the blue tab at the top of the view page to check them all out.

Shoes

GUEST PHOTOGRAPHER: Leifur Þór Þorvaldsson*

Leifur writes: In a secret location on the in the middle of nowhere, these shoes have been lying for decades undisturbed. One can only imagine how it came about that they ended up there.

Leifur, who describes himself as an Icelandic theater maker, graduated with a BA in Theory and Practice from the theatre department of the Iceland Academy of the Arts in 2009. His graduation work, Endurrómun, was staged at Borgaleikhúsið, The Reykjavík City Theatre, last January and was then nominated for a Gríman, the Icelandic answer to the Tony Award. He is now working in the development stages of a new project currently set for production next year. This photo is a sweet example of his obvious visual talents.

During research on the Icelandic theater scene years ago, I discovered that it is amazingly robust for such a small nation. Though there are always grumblings (and rightly so) about reduced funding for the arts, and though the large national and city theaters have a serious corner on the market (here is a statement on that fact by the Association of Independent Theatres in Iceland) theater, as a direct progeny of the storytelling and rímur culture that kept the Icelandic national identity intact during the very difficult middle ages, is alive and strong.

For a bit of extra reading about Icelandic theater, here is a piece on Icelandic theater I wrote for the Reykjavík Grapevine in 2004 (which was, unfortunately, poorly edited and titled before it went to print. Sigh.)

*the letter 'Þ' in Leifur's middle and last names is pronounced 'Th,' so the English spelling of his name is Leifur Thor Thorvaldsson.

Play

Play, originally uploaded by blue eyes.

Our beautiful Eva Guðrún Gunnbjörnsdóttir presented her graduation production for the Theatre: Theory and Practice department at the Icelandic Academy of the Arts on Saturday.

The play, Pósteria, was written, designed and directed by Eva, who also acted the role of a sweetly ignorant, hopeful, frustrated, underpaid and disturbingly gullible post office worker (seen here at the beginning/end of the play reading a Cosmo quiz for her coworkers.) It was a painfully truthful, quirky and very funny look at the modern day feminist dilemma, full of awkward and loaded silences interspersed with roars of energized rebellion against the roles women adapt to and, often all too willingly, adopt. Cyclical, contained, explosive, sentimental, ironic and shyly childish, the play is like growing up, coming of age, becoming an adult in a world we don't quite understand, even if any number of subtle (and not so subtle) clues are left here and there to form and guide us. It asks What if I don't get it? What if I don't want to take part? How does this secret happiness thing work? What do you want me to do!? and leaves us with enough thoughtful detail to help us form our own, very personal answers.

Congratulations, Eva. Wonderful stuff!