
"Beauty is truth, truth beauty," as Keats put it and to be boldly truthful, the resort casino down the beach from the ashram was a daily draw. Great pools and aquariums abounding with local sea life, the overly-manicured landscaping and the immense hotel structures towering over the gentle Paradise Island beaches testified to the human will to tame nature and erect monuments to the gods of engineering and ingenuity.
It was very worthwhile to saunter over for immersion in American family-vacation reality, a big reminder that while daily silence, yoga and meditation are a way of life, humanity in all it's baseness and glory doesn't disappear in the meantime, and that we're all in this life thing together. In other words, those little trips (along with forays into urban, decaying Nassau) proved that Oneness, Service and Compassion are always the order of the day.
All that, and a daily double latte to boot.
The play, Pósteria, was written, designed and directed by Eva, who also acted the role of a sweetly ignorant, hopeful, frustrated, underpaid and disturbingly gullible post office worker (seen here at the beginning/end of the play reading a Cosmo quiz for her coworkers.) It was a painfully truthful, quirky and very funny look at the modern day feminist dilemma, full of awkward and loaded silences interspersed with roars of energized rebellion against the roles women adapt to and, often all too willingly, adopt. Cyclical, contained, explosive, sentimental, ironic and shyly childish, the play is like growing up, coming of age, becoming an adult in a world we don't quite understand, even if any number of subtle (and not so subtle) clues are left here and there to form and guide us. It asks What if I don't get it? What if I don't want to take part? How does this secret happiness thing work? What do you want me to do!? and leaves us with enough thoughtful detail to help us form our own, very personal answers.
Congratulations, Eva. Wonderful stuff!